#Mac miller blue slide park songs full#

#Mac miller blue slide park songs full#

Mac MillerР В Р вЂ Р В РІР‚С™Р Р†РІР‚С›РЎС›s passion could never be contained in full to wax.

Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ўObjectsР В Р вЂ Р В РІР‚С™Р РЋРЎС™ is yet another song that has an incredible live rendition. When we fuse the things we do best, we are left with a new and even better thing. First, a classic in the Mac MillerР В Р вЂ Р В РІР‚С™Р Р†РІР‚С›РЎС›s Head Is Overrun canon, and the Mac Miller Is In Love canon. The song is a classic in two canons, then. The balance of these ideals makes Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ўObjects in the MirrorР В Р вЂ Р В РІР‚С™Р РЋРЎС™ a tortured helix, where Mac uses love as an avenue for relief. He is ever-preoccupied by atrocity, but still finds time for love and splendor. By the second verse, his penchant for love becomes a set of crippling fears. Mac sounds both in love and disappointed in himself. Love can be wanton and desperate, and Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ўPerfectoР В Р вЂ Р В РІР‚С™Р РЋРЎС™ is proof that our intentions do not always match our outcomes.

We all know what it means to want something so bad you break it by mistake. Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ўPerfectoР В Р вЂ Р В РІР‚С™Р РЋРЎС™ is a string of arguments in poetic motion, and we feel for Mac. Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ў Tell me you love me, spin me around / Pretty please pick me up in the air and don't put me down,Р В Р вЂ Р В РІР‚С™Р РЋРЎС™ he urges. The breakdown of the track, a cataclysmic leveling, shows us that MacР В Р вЂ Р В РІР‚С™Р Р†РІР‚С›РЎС›s irreverence was childish defensiveness. This, of course, informs the Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ў (Is it? Is it? Is it? Is it? Is it?)Р В Р вЂ Р В РІР‚С™Р РЋРЎС™ that peppers the hook. If you fight enough, the fights become routine and unremarkable, and they never dissipate. We are the only ones in the midst of strife now, and yet we cannot seem to wrest our way out we donР В Р вЂ Р В РІР‚С™Р Р†РІР‚С›РЎС›t want to. Something to be weathered, Mac never once sounds despondent as he admits to Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ў bugginР В Р вЂ Р В РІР‚С™Р Р†РІР‚С›РЎС›, bugginР В Р вЂ Р В РІР‚С™Р Р†РІР‚С›РЎС›, makinР В Р вЂ Р В РІР‚С™Р Р†РІР‚С›РЎС› something out of nothinР В Р вЂ Р В РІР‚С™Р Р†РІР‚С›РЎС›.Р В Р вЂ Р В РІР‚С™Р РЋРЎС™ Closing the first verse with Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ў I'm treading water, I swear / That if I drown I don't care / They callin' for me from the shore, I need moreР В Р вЂ Р В РІР‚С™Р РЋРЎС™ as it relates to the hook, puts us in a position of indulging in the turmoil to the point of it damaging everything and everyone. The first verse and hook of Р В Р вЂ Р В РІР‚С™Р РЋРЎв„ўPerfectoР В Р вЂ Р В РІР‚С™Р РЋРЎС™ illustrate pettiness and argument, anxiety and obsession, as features of any old love story.